Ever since Brymo took leave from
Chocolate City to chase indie
engagements, his life, his work, and
everything has been far from normal. A
grueling, and ultimately distracting legal
battle with his former employers made for
good coverage. That case ended
abnormally, too, with neither closure, nor
resolution gotten from the effort.

But Brymo was left to his devices. His ‘career’
as a mainstream artiste was officially dead.
What he wanted to pursue needed him to kill
that part of him, and chase deep music, far
away from the comfort of pop sounds and
electro-powered fusions and beats.
His was about the lyrical depth and syncopation
of traditional sounds and spaces that convey
deeper meanings which skip the basic senses,
and appeal to the heart, and sometimes, the
soul.
“ Merchants, Dealers and Slaves ” still stand as
one of the best Nigerian albums released in the
last decade. With deep-cutting imagery, and a
mastery of ballads, the singer wove two stories
in one. The first was the most obvious story of
a village boy who leaves his town for the
seducing bright lights of Lagos city, but on the
other hand, " Merchant, Dealers and Slaves" was
all about broken promises, deception, hypocrisy
and unfaithfulness. Such was the power of his
music, and the messages shared, that two
studio album later, those messages have taken
on a voice via social media and have begun to
comment on pressing issues.
In all honesty, Brymo’s music does not resonate
with all and sundry. His depth and melody are
deeper, eluding the mass market, but reigning
supreme in environments where art in its
immersive form is embraced. His success
stories are like brush strokes on a painting; not
conspicuous, but evident on closer inspection.
That’s why he is denigrated with the term
‘failure’ by many on social media.
Nigerians generally are not receptive to what
they cannot fully understand. They mask this
resistance in many ways, but the easiest and
most recurring form is to lash out and be
hostile. What they can’t understand, they fight
it. They do that to his music by ignoring it, but
on Twitter, they attack his comments.
This year alone, he has been off the mic,
commenting on Twitter. Just like his music, his
comments come with a stinging rawness and
lack of political correctness. When a struggling
man sought for educational financial aid, he was
truthful, advising the fellow to develop other
parts of himself that the classroom could not.
Brymo himself is a product of extra-curricular
development, far removed from the boundaries
of formal education.
The singer advised the fan who tweeted at him
to drop out of school, and chase his dreams, as
he had done. Of course, trust Nigerians on
Twitter to go in with abandon.
At the moment, the systemic extra-judicial
killing of blacks by the police has risen to the
fore, after the killings of Philando Castile and
Alton Sterling. Conversations about racial
prejudice, discrimination, and white supremacy
have come to the fore all over the world, and
Brymo, who is very invested in these
movements, made his mind known.
This was the same conversation that Bob
Marley was all about in ‘Redemption Song’, and
inherently the same message is contained in
Fela Kuti’s hit song, ‘Suffering and smiling’. But
without melody, it does not go down well. Brymo
was attacked from all corners, and defended by
some.
See tweets below;
Some people on the other hand supported
BrymO's controversial tweet.
Not fazed by the reactions his tweet caused,
BrymO went on to make more controversial
tweets and lash out at a few fans.
Is it our collective hypocrisy coming to play? Or
is music a sweetener for reality? An euphemism
of some sort, to melodiously pass across the
message? Brymo will not back down. His
outlook on life transcends the studio and the
mic, and into discussions affecting the black
nation, and life. He is sure to still offer his
perspectives on everything crucial, and will not
stop at it. If you follow his music, you will
understand the workings of his mind.
If you don’t, he isn’t concerned about your
opinion. You don’t affect him.
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